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background   ||||   philosophy  ||||   exhibits

 

background
I was born on August 18, 1969 in Beirut, Lebanon. Seven years later, upon noticing my interest in making messes with tempra, my mother sent me to painting classes with a popular local artist. In this studio, I wasn't allowed to use a paintbrush or pick my own colours. Rather, I had to complete a small painting with 10 pieces of cardboard squares using only 6 colours — red, yellow, blue, black, white, and crimson. Looking back at his teaching style, painting with those squares shaped my technique and precision, while the 6 colours permitted me to be the master of my palette.

Civil war and unrest forced my family to immigrate to California in 1980. During the first few years in America, I painted to fill the void of not having all the familiar with me — relatives, friends, culture — and to feel grounded amidst middle school hostility and childishness. Through the high school years, my paintings were a venue to express my feelings, solve problems, and fantasize. I still create for those same reasons.

   
 

In 1987, I declined a scholarship to the Academy of Art College in San Francisco, and went to study with a distinguished staff at UC Davis. With one of the finest Art Departments in the nation, I studied with the likes of Wayne Thiebaud, Robert Arneson, Manuel Neri, Roy DeForest, Harvey Himelfarb, Squeak Carnwath, Lucy Puls...

After receiving my BA in 1991, and with no direction on which career to pursue, I took some core design classes and self-taught myself the rest in preparation to becoming a Graphic Designer. I've been running corporate art departments and designing ever since.

Besides a few local exhibits and random sales and commissions, I've kept my art private. I've recently started a new series of paintings and am currently seeking gallery representation.

   
  philosophy
  It's very important in life to challenge our imagination. Even more so now, when many rely on outside sources for entertainment. My paintings are my expressions on life in all its whimsy, its strangeness, its joys, its tumultuousness, its unpredictability and its journey. My narrative style starts with a problem that seeks a solution, or a feeling whose release is manifested in colour, light, perspective and dimension which takes me to a place of discovery that I knew nothing about. There can be a surmountable amount of irony in my art which comes from mimicking the dichotomy of life, often finding myself on both sides of an argument, and allowing them to co-exist in harmony.
   
  exhibits
  Hilldale Mall Gallery, 1992
UC Davis Memorial Union, 1991
UC Davis Basement Gallery, Individual Show, 1991
San Mateo County Fair, 1986 & 1987
San Mateo Public Library, Individual Show, 1986
© 2002 Natasha. All Rights Reserved.